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Nuts

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Butterscotch
By: Barbara L. Smith

Thursday, Friday, Saturday, May 5, 6, 7; 12, 13, 14; 19, 20, 21 @ 8 PM
Sunday, May 15 @ 2 PM

Butterscotch is a candy yellow 1947 Ford at the center of an unlikely friendship between a New York restaurant critic and a man who loves roadside diners.  Lincoln Price visits his potential father in law, Emery Baer, to persuade the cantankerous, ailing gent to attend the NY wedding reception of Emery’s news correspondent daughter and the critic. Adding to the bucolic fray are an elderly neighbor who has her failing eyesight on the widowed father, dad’s hunting buddy, and nervous New Yorker whose condo ruined a favorite hunting spot.  The vintage car brings about a surprising end to a seemingly hopeless impasse.  Humorous, humane and very funny.

 
The Taffetas
A Musical Journey Through the Fabulous Fifties!
By: Rick Lewis and Arthur Whitelaw

Thursday, Friday, Saturday, May 26, 27, 28; June 2, 3, 4; 9, 10 11 @ 8 PM
Wednesday, May 29 @ 2 PM

This delightful musical revue features the vocal harmonies of four sisters during a gentler period of American history.  Audiences will enjoy revisiting the songs that provided a musical background to their young lives – “Constantinople,” “Old Cape Cod,” Allegheny Moon, “ “Cry”, “Mockin’ Bird Hill,”  “I’m sorry,” “Mr. Sandman,” “ Rag Mop,” “Love Letters in the Sand,” “Johnny Angel,” and a plethora of others.   Early  reservations advised.

 
The Ladies Man
By: Charles Morey
Translated/adapted from Tailler pour Dames by Georges Feydeau

Thursday, Friday, Saturday, June 23, 24, 25; 30, July 1, 2; 7,8,9 @ 8 PM
Wednesday, June 29 @ 2 PM


A wickedly funny French farce in which maze and mistaken identities lurk behind every door.  In Paris, the recently married Dr. Hercule Molineaux tells “one, tiny, little, hardly noticeable lie” to cover an innocent but embarrassing indiscretion.  A suspicious wife, a gorgon of a mother-in-law, an outrageously aggressive female patient, her violently jealous Prussian husband, a well-intentioned friend with a serious lisp, a valet with attitude, and a maid with a secret  provide an explosion of inspired craziness.

 
The Company
Director: John Carosella
Stage Manager: Adella Hillebrecht

Etine (The Valet): Justin Mohr
Marie (The Maid): Adrienne Fisher
Yvonne (The Wife): Missy Newell
Hercule (The Husband): Rick Dutrow
Bassinet (The friend and patient): Mike Crosby
Madame Aigreville (The Mother-in-law): Shirley Ratner
Suzanne (The patient): Jennifer Kwiatek
Gustav (The Jealous Husband): Josh Milan

Man of La Mancha
By: Dale Wasserman
Music By: Mitch Leigh
Lyrics By: Joe Darion

Thursday, Friday, Saturday July 21, 22, 23; 28, 29, 30; August 4, 5, 6 @ 8 PM
Wednesday, August 3 @ 2 PM

A play-within-a –play based on Cervantes’ Don Quixote, this is the story of a dying old man whose impossible dream takes over his mind.  His dream is Everyman’s dream, his tilting at windmills, Everyman’s great adventure.  Amazingly memorable music – “It’s All the Same,”  “Dulcinea,” “I’m Only Thinking of Him,” “I Really Like Him, “ Golden Helmet,” and, of course, “The Impossible Dream.”
New York Drama Critic Circle Award for Best Musical, 5 Tony Awards, Outer Critics Circle Award.

 
Whose Wives Are They Anyway?
By: Michael Parker

Thursday, Friday, Saturday Aug. 18, 19, 20; 25, 26, 27; Sept. 1, 2, 3 @ 8 PM
Sunday, August 12 @ 2 PM

Two vice presidents of a cosmetic company recently sold, David McGrachen and John Baker, check into the Oakfield Golf and Country Club intending to “golf their brains out,” while their wives have a shopping spree in New York.  They unexpectedly encounter their new CEO, Ms. Hutchinson, who comments “no one who went golfing for a weekend without his wife would ever work for me.”   Hilarious chaos ensues when David and John attempt to produce “wives,” the hotel phone system goes on the blink,  the hotel’s sexy receptionist has too much champagne and can’t seem to keep her clothes on, and the real wives arrive!

 
The Complete Works of William Shakespeare (abridged)
By: Adam Long, Daniel Singer, Jess Winfield

Thursday, Friday, Saturday Sept. 15, 16, 17; 22, 23, 24; 29, 30, Oct 1 @ 8 PM
Sunday, Oct 23 @ 2 PM

Three guys, one dead playwright, and 37 plays, all in under 2 hours provide high-speed over-the-top hilarity.
Knowledge about Shakespeare’s works is helpful, but not at all necessary to enjoy this mad cap Marx brothers
style production.  All that is needed is time enough to watch and someone to dial 911 in case you pass out from laughing so much!

 
The Psychic
(a Murder Mystery of Sorts)
By: Sam Bobrick

Thursday, Friday, Saturday Oct 13, 14, 15; 20, 21, 22; 27, 28, 29 @ 8 PM
Sunday, October 23 @ 2 PM

Adam Webster, a down-on-hi-luck writer, in desperation to make the rent, has put a sign in this apartment window, “Psychic Readings $25”.  The characters it draws in lead into a tangled murder mystery of sorts in this hilarious original comedy.  Audiences will savor the suspense and surprise that Bobrick’s sharp wit and impeccable comic timing deliver.

The Company
Director: JIM MIKULA
Stage Manager: ROZELLA HOFFMAN

Adam Webster: ROB STULL
Laura Benson: MONICA FILIPPONE
Roy Benson: JOSHUA MILAN
Rita Malone: BRIANA DOWNS
Johnny Bubbles: DEAN MORRIS
Norris Coslow: GEORGE SPELVIN

Nuts
A Courtroom Drama
By: Tom Topor

Presented at the Westmoreland County Courthouse

A portion of the price for each ticket will be donated to the YWCA and the
Blackburn Women's Center.
Tickets on sale to Season and Flex Tickets Holders August 29
Tickets on sale to single ticket buyers on Sept 6

Friday, Saturday, Sunday, November 4, 5; 11, 12 @ 7:30 PM
Sunday, November 6 & 13 @ 2 PM

A Broadway hit, NUTS has been called the best courtroom melodrama since WITNESS FOR THE PROSECUTION, and THE CAINE MUTINY COURT MARTIAL.  Set in New York's Bellevue Hospital, the story follows a high-priced call girl incarcerated on a charge for killing a violent "john."  The State, represented by a court appointed psychiatrist and an aggressive prosecutor, say Claudia Faith Draper is unfit to stand trial.  As testimony from experts, physicians and her parents unfolds, with her psyche and childhood dissected, she proves to the judge that she isn't "nuts" and stands legally sane at trial for manslaughter.
 
"Has the audience rooting for the good guys and hating the bad guys, as if the whole event was the most beautifully prefessional wrestling match you have ever seen.  NUTS is a play that moves you....you are in court watching a woman fight for what she believes is her total future." -- New York Post 

 
 

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